Time: October 3, 2012 to October 14, 2012
Location: Film Society of Lincoln Center
City/Town: New York, NY
Website or Map: http://www.filmlinc.com/nyff2…
Event Type: cinema, french, film, documentary, festival
Organized By: Film Society of Lincoln Center + INA
Latest Activity: Oct 4, 2012
André S. Labarthe in person for select screenings on 10/3 and 10/4!
In 1964, film critic and filmmaker André S. Labarthe, together with Janine Bazin, widow of influential film theorist André Bazin, approached the French television channel ORTF about starting a program that would resemble the long, in-depth interviews with film directors that magazines such as Cahiers du cinéma and Positif regularly published. ORTF gave the green light, and Cinéastes de notre temps (Filmmakers of Our Time) was born. Many of the programs were dedicated to older directors, then in retirement or in the final stages of their careers. Instead of TV journalists, Labarthe and Bazin would often ask well-known film directors to make these programs: thus, Jacques Rivette on Jean Renoir, or Jacques Rozier on Jean Vigo.
Cinéastes de notre temps lasted until 1971, when ORTF, for various clear and unclear reasons, decided to terminate production. Over the following years, the series became almost legendary, with occasional bits of its programs appearing in other films. In 1988, ARTE, the French-German cultural channel, decided to reprise the series, now under the title Cinéma, de notre temps. The focus shifted to contemporary filmmakers, and generally speaking directors were now more free to choose their own approaches—such as the self-portrait by Chantal Akerman or the film noirstyle of Rafi Pitts' film on Abel Ferrara.
The films made for both Cinéastes and Cinéma, de notre temps together form an invaluable history of the cinema, full of insights into the work of individual filmmakers as well as a sense of the shifts in taste and ideas about cinema. This series was programmed by Véronique Godard & Richard Peña, and made possible through the generosity of the INA (Institut National de l'Audiovisuel) and AMIP (Associate Production Company) in Paris. Special thanks to the Cultural Services of the French Embassy, to Thierry Lounas and Valentina Novati.